Robert Archibald Shaw was born on August 9, 1927 in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters, Elisabeth, Joanna and Wendy and one brother, Alexander. As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London with furthering education in Cambridge as he did not want a career in medicine but luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes who got him to read just about everything, including all of the classics. He would take three or four of the boys to London to see plays. The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother. He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous." He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic. He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage. He was discovered whilst performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness who suggested he come to London to do Hamlet with him. He then went on to his first film role, a very small part in the classic De l'or en barres (1951) with Guinness but a start nonetheless. It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic and married her in Sallsbury, South Rhodesia on August 1, 1952. Together, they would have four daughters, Deborah, Penny, Rachel and Katherine. He would also appear briefly in Les briseurs de barrages (1955) and did the London production of "Tiger at the Gates" in June of 1955 as Topman. He would also make "Hill in Korea" around this time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months work. It was around this time that he wrote his first novel, "The Hiding Place." It was a success, selling twelve thousand copies in England and about the same in France and in the United States. He also wrote a dramatization of it that was produced on commercial television in England and Playhouse 90 (1956) aired a different dramatization in America. Around 1959, he became involved with the well-known actress Mary Ure, who was married to the actor John Osborne at the time. He slipped her his telephone number one night at 3:00 a.m. while visiting the couple and she called him the next day. It was around this time, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome. Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house who persuades him to murder her fiance. Shaw and Ure had a child on August 31st, even though they were still married to their other spouses. His wife Jennifer and Ure had children to him only weeks apart from each other. Mary divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being, "very much in love" and together, they would have four children together; Colin, Elizabeth, Hannah and Ian. That same year, after making the next two films, Alerte sur le Vaillant (1962) and Le Concierge (1963), he made Bons baisers de Russie (1963) and was unforgettable as the blonde assassin, Donald 'Red' Grant. He also made Tomorrow at Ten (1963), as well as TV version of Hamlet as Claudius. He would then film The Luck of Ginger Coffey (1964) with Ure and then star in La bataille des Ardennes (1965) as the German Panzer commander Hessler. He wrote "The Flag" on the set of the film . He was nominated for his next role, as Henry VIII in Un homme pour l'éternité (1966), an outstanding, unequal led performance. He would write his fourth novel "The Man in the Glass Booth", which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell. In 1967, he again starred with his wife in Custer, l'homme de l'Ouest (1967), then on to The Birthday Party (1969) and La bataille d'Angleterre (1969). One of his best performances of this decade was also as the Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969). His last published novel, "A Card from Morocco" was also a big success and he went on to make Deux hommes en fuite (1970) with Malcolm McDowell as two escaped convicts in a Latin American country. As the father of Churchill in Les griffes du lion (1972) he was once again his brilliant self, and stole the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm. After his portrayal of Lord Randolph Churchill, he made Le souffle de la peur (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman. As the chauffeur Steven Ledbetter in La méprise (1973) he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. It took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought provoking film. It was his performances in the following two films, the USA produced L'arnaque (1973) and Les pirates du métro (1974) that Shaw became familiar once again to American audiences but it is his portrayal as a grizzled Irish shark hunter, named Quint, in Les dents de la mer (1975) that everyone remembers, even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo, "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations he mentioned that he'd never heard of the director and didn't like the title, "JAWS." It is also incredible that as the biggest box office film, which was the first movie to gross more than $100 million worldwide, he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during this time that he became a depressed recluse following the death of his wife who took an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal but there was no reason for it and this is mere sensationalism. Following Diamonds (1975) he made Der Richter und sein Henker (1975), then another brilliant performance as the Sheriff of Nottingham in La rose et la flèche (1976). During the same year, he also made Le pirate des Caraïbes (1976) with Geneviève Bujold and James Earl Jones, a very light-hearted pirate adventure. His next film Black Sunday (1977), with Shaw playing an Israeli counter-terrorist agent trying to stop a terrorist organization, called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised considering the depth that he was also involved in writing the script although he didn't receive billing for it. Shaw was very happy with the success of his acting career, but he remained a depressed recluse in his personal life until he finished Black Sunday (1977) when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay). They were wed on July 29, 1976 in Hamilton, Bermuda. He adopted her son Charles and the couple also had one son, Thomas. During his stay in Bermuda, Shaw began work on his next movie, Les grands fonds (1977) which teamed him and writer Peter Benchley once again and maybe that was a mistake, in that everyone expected another Les dents de la mer (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick, it's a treasure picture". It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure had died that life was short and that he needed to provide for his ten children. In 1977, Shaw traveled to Yugoslavia where he starred in L'ouragan vient de Navarone (1978), a sequel to Les canons de Navarone (1961), he revived the lead role of the British MI6 agent Mallory originally played by Gregory Peck. He was a big box office draw and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it." In early 1978, Shaw appeared in Avalanche Express (1979) which was to become his last film in which he played General Marenkov, a senior Russian official who decides to defect to the west and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons. An alcoholic most of his life, Shaw died, before the film was completed, of a heart attack at the age of 51 on August 28, 1978. In poor health due to alcoholism during most of the filming, he in fact completed over 90% of his scenes before the death of director Mark Robson two months earlier in June 1978 brought production to a halt. While living in Ireland and taking a hiatus from working, Shaw was driving from Castlebar to his home in Tourmakeady, Ireland with wife, Virginia, and young son, Thomas, after spending the day playing golf with friends on a local course as well as shopping with her in the town. As they approached their cottage, he felt chest pains which he claimed to Virginia that they had started earlier that day while he was playing golf but the pains subsided. He pulled the car over a few hundred yards from his cottage and told her he would get out and walk them off. After taking four or five steps from the parked car, he collapsed by the side of the road in which his wife ran to the cottage to phone for help. An ambulance arrived 15 minutes later where Shaw was taken to Mayo General Hospital in Castlebar where he was pronounced dead on arrival.